São José do Rio Preto, SP

Obra de [work of] Marinella Senatore, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Marinella Senatore, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Jungjin Lee e [and] Haris Epaminonda, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Jungjin Lee e [and] Haris Epaminonda, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Uýra, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Uýra, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Victor Anicet, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Victor Anicet, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Claude Cahun, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Claude Cahun, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Jungjin Lee, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Jungjin Lee, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Uýra, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Uýra, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Marinella Senatore, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Marinella Senatore, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Melvin Moti, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Melvin Moti, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Gala Porras-Kim, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Gala Porras-Kim, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Enunciados [statements]:
Enunciados [statements]: "Hiroshima mon amour" de [by] Alain Resnais & "A imagem gravada de Coatlicue" [The Engraved Image of Coatlicue], Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Mariana Caló & Francisco Queimadela, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obra de [work of] Mariana Caló & Francisco Queimadela, Sesc Rio Preto © Priscila Beal / Sesc Rio Preto
Obras de [works of] Daiara Tukano, Sesc Rio Preto © Willian Pereira de Oliveira / Sesc Rio Preto
Obras de [works of] Daiara Tukano, Sesc Rio Preto © Willian Pereira de Oliveira / Sesc Rio Preto

The tour in São José do Rio Preto is another result of the long-term partnership between the Fundação Bienal de São Paulo and Sesc – Serviço Social do Comércio, established since the first program of traveling exhibitions, at the 29th Bienal. Visitors to Sesc Rio Preto will find works that integrate groups related to two different statements: The engraved image of Coatlicue and Hiroshima mon amour by Alain Resnais. The first statement refers to the image of the statue of the Aztec goddess Coatlicue, designed by the German explorer Alexander von Humboldt. Inserted in the exhibition space, its history instigates the dialogue between artists and their works by allowing reflections on the power – and fear – of art. The other statement, in turn, comes from Hiroshima mon amour, the classic directed by Alain Resnais in 1959. By approaching the theme of unspeakable trauma, the film provokes a reflection on contemporary art by proposing ways of approaching opacity and untranslatability. of the testimony.

34th Bienal de São Paulo - Though it's dark still I sing
Traveling exhibition program

Sao Jose do Rio Preto (SP)
Sesc Rio Preto
Av. Francisco das Chagas Oliveira, 1333 – Municipal Farm, São José do Rio Preto
May 4th – July 31st
Tuesday to Friday: 1pm – 9.30pm
Saturdays, Sundays and holidays: 10 am – 6:30 pm
free entrance





  1. Caroline A. Jones, Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).
  2. Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).
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