Adrián Balseca (1989, Quito, Ecuador) will produce an installation at the Casa do Caxingui, a unit of the Museu da Cidade de São Paulo, in dialogue with its history.
With essay-like elements, his research deals with the extractivist dynamics and its impacts on the natural environment. He participated in the 21st Bienal de Arte Contemporânea Sesc_Videobrasil (São Paulo, Brazil, 2019) and in osloBIENNALEN First Edition (Norway, 2019 – 2024). He is a founding member of the group La Selecta-Cooperativa Cultural and takes part in the communitarian art collective Tranvía Cero, both headquartered in Quito.
Curatorship: Gabriela Rios
Learn more about the artist here.
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Caroline A. Jones, Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).
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Greenberg’s Modernism and the Bureaucratization of the Senses (Chicago: University of Chicago Press, 2005).
